Another Bassist here. I've bee playing music continuously from 1971 until 2004 when things began to slow down. Mostly me LOL! I don't play as much as before.
Prior to that (and during) I did sound for bar bands that traveled the Northwest circuit and have had the honor to mix for The Leslie West Band (post Mountain) and Bobby "Blues" Bland. Bobby Bland hired me to mix for him on the West Coast leg of his US tour in 1972. I also spent 6 months in New York City doing session work and got to meet several "big names", including Hall and Oates, Madonna (before she was famous), Dave Allen of Gang Of Four and Etta James.
For instruments I have a 1972 Fender Precision with, according to the Serial Number stamped on the neck, one of the last Pre-CBS fretted maple neck. No maple fingerboard over a maple neck but frets right in the neck. Also I have a 5 String Fender/Precision body fitted with Jazz Bass pickups, a Danelectro single pickup bass from the early '60 with the masonite sandwich body, a Danelectro Longhorn re-issue bass, a 1970 Fender Mustang guitar that's Candy Apple red w/matching headstock and white racing stripe, and a shocking pink Fender Stratocaster w/Floyd Rose whammy and no pickguard. One of 200 made. I have been offed as much as $2000 for it.
I play through a GK 200 watt head but primarily through a 400 watt Hartke head coupled to a variety of custom enclosures ranging from a stereo pair of 10"ers, a pair of single 15"ers, and an 18"er. I just assemble the right setup for the size of room and type of music I'm playing. I've played everything from straight up Chicago style blues to Country Swing to Punk to Jazz. I even played in an experimental band that NEVER played the same song twice..........and they were all originals, made up on the spot. Sounds like a jam band? No, Clive Davis of Capitol Records expressed an interest in us when he saw us open for a local band on the rise. He talked with us more than them. (they hated us after that, felt we robbed them of the "Big Time"). But since we couldn't/wouldn't go on tour and support any album we made, (becuase we NEVER played the same song twice) Capitol decided we didn't have "Commercial Potential".
Music now is mostly original alt/pop with the ocassional tasty cover. Newest project is all instrumental band, no vocals, with me doubling on both bass and my Korg workstation synth.
My studio consists of a 4-Track Teac recorder and a bizillion sound modifiers, EQ's/Compressors/Effects Racks/Optimisers into both the Teac 4-Trk and a digital recorder. As soon as I can afford it I'm building a music computer that will be solely dedicated to recording/mastering/manufacturing CD's.
Well, that's my story and I'm sticking to it.